Thirteen Steps to Cello Bliss

March 30th, 2010  / Author: Eddi

 

Adult beginners and younger students alike face a unique set of dilemmas when shopping for an instrument, especially if they do so without the advice and experience of a seasoned player. Instrument setup can make or break even the best cello, and knowing what to look for and what will best suit your needs is not as easy as it sounds. Additionally, budget constraints, teachers who suggest only particular brands …and not knowing what the market has to offer or how to best evaluate instruments, can contribute to the difficulty beginners face when shopping for that first step-up cello.  - Heather K. Scott, Strings Magazine

In rather oddly titled article (uh, what is this Glamour magazine for cellos?), Strings Magazine actually does a really good job of outlining the process for choosing a step-up cello for the beginning student and reviews of thirteen quality cellos under $5k. Which I know sounds like a lot of money but in the cello world appears to be a drop in the bucket. I would wonder why all of my hobbies seem to be the expensive kind but I realize that’s something of the definition of a hobby: an activity in which it is possible to spend an inordinante amount of money on with little – if any- tangible return. Enjoyment, however, is priceless.

Not that I’m looking for a new cello – I just got Cecelia back from the shop and I’m excited about just PLAYING for a while – but when school is done and I’m back in lessons reguarly I MIGHT start looking.  Window shopping doesn’t count. Neither does “kicking a few tires” (er, plucking a few strings?)

Ten Rules for Writing Fiction

March 28th, 2010  / Author: Eddi

The nearest I have to a rule is a Post-it on the wall in front of my desk saying “Faire et se taire” (Flaubert), which I translate for myself as “Shut up and get on with it.” – Helen Simpson

This is going around and around the writing circles, but the third time it came to me was, indeed, the charm. Recently the Guardian published a list of rules for writing fiction from writers that run the range from literary to genre, popular to literary with advice ranging from the time of day at which you write to figuring out who you’re writing for.

From witty to insightful, oddly charming, often profound and occasionally cheeky, the writing advice comes in in the form of “10 Rules” from authors Margaret Atwood, Neil Gaiman, Jonathan Franzen, Annie Proulx, PD James, Phillip Pullman and others is priceless. Suzanne Johnson does a great job picking some of the best ofs (and most interesting) bits on her blog.

There are lots of lists like this out there – hell, whole books published about the topic – but I rarely see such a lovely, concise and varied list from a range of writers. Some of the advice is contradictory, but even that serves a point, reminding readers – and writers – that at we practice a personal art of expression and that no one is a better authority than your own heart.

Thanks to @spitkitten for the first and second time this hit my radar :-)

 

Wading into the Twilight fracas

March 25th, 2010  / Author: Eddi

I’ve been avoiding the subject (like the plague) for as long as absolutely possible because like most intensely polarizing topics, the Twilight books seem to severely reduce the ability of normally rational people to discuss the gradient. I’m all for “I liked it” or “I didn’t like it”  as acceptable personal conclusions. I’m not saying anyone has to have a MA in literature to critique a book. What I’m not for is a lot of the defensiveness, snarkasm and ad hominem author attack that I see a lot when it comes to the Twilight phenomenon between “Team Lovers” and “Team Haters”

What I liked about what the NPR “Monkey See” Blog is doing with their ‘I Will If You Will’ Book Club  is that - at least in the opening salvo – they are actually tackling what I think are central issues with the book – writing style – that raise some valid points about problem areas while still giving some credit to the allure of story.  It will be interesting to see how the series spins off from their opening discussion. I’m not surprised to see by the comments posted thus far the usual suspects of “Team Lovers” and “Team Haters” but there also appear to be a interesting gradient bubbling to the surface.

I’m not going to say what I thought about the books here because frankly I haven’t made up my mind: on one hand part of me is glad that any book or series gets people to read, on the other hand the quality of the material is important - not only other writers trying to get their work published, but to the impressionable minds sucking up the words on page.

Plus there are plenty of other people weighing in with the judgement call. I’m more interested in the discussion. And I’m curious to see where (and how) this one goes.

P.S. Don’t even ask me about the movie(s). I can’t roll my eyes long, far or hard enough.

Solar sails take shape

March 22nd, 2010  / Author: Eddi

Since I’m working on a story that at least begins with space travel, long range interstellar propulsion is one of those topics that’s on my research radar. Solar sails is definitely one of the most intriguing of those prospects in my mind, because it evokes something of the “old days” of earth based sea fairing (arghh, mateys!)

The idea of solar sails has been around for a while in science-fiction, but with the upcoming launch of Japan’s Ikaros and The Planetary Society’s LightSail-1 , technology is leaping off the page and into the real world. Exciting!

Cecelia is back!

March 17th, 2010  / Author: Eddi

Well, the bridge that is. After a good turn from the amazingly talented shop at Georgetown Music, I now have a bridge that fits my cello. All with an refreshing lack of snobbery served up in hearty portions from two other stringed instrument shops  in town(cough, cough, store name ends in burger) who spent more time telling me about how crappy my instrument was than coming up with ways to resolve the issue.

At Georgetown, the patient Chris listened to my tale of woe, took the uncarved bridge (send by Cecelio in a last ditch effort to shut us up) and, instead of wasting time decrying the instrument, he  figured out a way to make a less than ideal situation work.

The buzzing is gone from my C string and playing is, once again, a joy. I’m back to cello love with my four stringed accomplice. I had to pause lessons until May while I focus on school and finishing the book, but I have plenty to work on with Schroder’s #6 and Suzuki to keep me busy.

My next cello blog goal is to get some recordings up here so stay tuned!

Why we crave superheroes

March 12th, 2010  / Author: Eddi

Dear Seattle,

Last night I witnessed ugly. Coming home from a run, I stopped by Julie’s Garden for a bowl of pho before heading home to do laundry and tune my cello. Pioneer Square was unusually packed for a weeknight – judging from the colored flags and jersey’s a sounders game had just let out. I was listening to Michael Franti and Spearhead singing “Sometimes, I feel like I could do anything” and munching  my pot stickers at the stoplight on the corner Yesler and Third when a group of people standing on the corner ten feet away caught my attention. I’m used to seeing this corner full of activity at all hours: it’s a pretty common hangout for the homeless crowd in the area. But last night the energy of the people on the corner was different. I know it sounds kooky and if you feel like calling it my subconscious primitive recognition of threatening body postures, I won’t blame you. All I know is: without looking I knew something was wrong.

Three men were beating up on a fourth who was on the ground at their feet. After a lifetime of movies, it took a moment to convince myself of what was going on.  There were no well-landed roundhouses or spraying blood, and no audible “th-chunks” of cabbage heads being split to emphasize the force of punches being landed. Instead it was a determined, swift and jerky action of three striking at one more vulnerable.

I watched, stunned, then I started honking and flashing my lights. I reached for my phone and dialed 911, pulling my car out of traffic and next to the curb which brought me even closer to the conflict. The beating went on as I was on the line with 911 dispatch and more people began to take notice. Homeless people gathered, watching with the silent eyes of those who see a portion of the city that most of us never do. A few straggling spectators from the soccer game hung back; parents clad in green and blue reaching for their kids. A young blond woman was screaming at the top of her lungs as she dug through her purse, presumably for a cell phone. A bus stopped in the intersection, the driver opening the door and shouting. Adrenaline increased my vision clarity to notice details that I never would have just sitting at the stop light: the dark roots of the screaming blond woman, the looks of horror on the faces of the parents and confusion on their children’s faces, the unsurprised stares of the homeless guys hanging back on the steps of the nearby building who probably see scenes like this more often in a week than I have in my 30 years.

No one intervened. There is not an ounce of blame in that statement. In that moment I was instantly aware of how helpless I felt. I couldn’t do anything. My very realistic fears that there may have been weapons more deadly than fists involved kept me from getting out of my car.

As though some unspoken signal had gone off (probably the sight of gathering crowd) the attack dissipated. As the men hurried away, covering their faces with Sounders scarves, they passed my car. Before their faces disappeared under layers of green and blue, I saw their expressions – a kind of high-energy, ferocious glee that was both savage and irresistible to watch. Before this, I mistrusted the descriptions of people with a “light in their eyes” presumably from inner emotion, but having seen it in this context I know why it’s a cliché and why the sight of some such “light” is a terrible thing. As they passed, one looked into my car and we made eye contact. Another cliché about this moment struck me as all wrong: there was no physical sensation of hot or cold when our eyes met. Instead I experienced a sudden absence of sound.

In that moment, under the influence of adrenaline, I saw that he was my age, maybe a little younger and familiar in that basic way that people we pass on the street and trouble to make brief eye-contact can be. I wondered what had happened on the street that had pushed him and his companions into rage strong enough to pin another man to the ground with their fists and feet.  I wondered who he was and who loved him and who he loved. The moment passed and they were gone.

The line with the dispatcher went dead and I sat in my car, immobile as the first cop car pulled up. The dispatcher called back and I finished giving my description and the direction I saw them headed last. She thanked me and I sensed the conversation was over but I still felt like there was something missing. I asked “what do I do now, do I stay here? Can I go?” The altercation was over, the threat was gone. The flight instinct in me had triggered, finally, and I wanted to be very much in my apartment behind a locked door with bourbon. I took a couple of deep yoga belly breaths and tried to be patient.

But what interests me in retrospect is that flight wasn’t my first instinct. If it’s true that humans can be simplified in terms of have two instinctual responses to danger – flight or fight – my first response was fight.

My instinct was to stay, to make a stand, to march into that mess of men and drag them (by scruff of the neck ideally) away from the one they had on the ground. I am suddenly, intimately aware of why we crave superheroes. I didn’t want to feel helpless. I wanted to do something good in the face of that evil. And if I couldn’t than I wanted someone who was bigger and stronger and more capable than I to hop in to that fray. Where was Seattle’s Batman, Spiderman, Superman at that moment?  I guess the obvious is answer is that’s why there are cops – not to say that they saved the day – but ostensibly this is their purpose.

In reality, by the time the cops came the guys were long gone and the uniforms spent the time talking to the witnesses and on their radios. I hung around to see if I needed to make a statement, but when the officer I was talking to ran off to follow the lead of some homeless man who said they caught the guys in the alley I let my urge to flee win. I waited long enough to see that the man who had been on the ground was now sitting up and being treated by EMTs. He was talking, and aside from a few facial injuries seemed to be okay. I did sit in the car for a while, waiting for my hands to stop shaking so that I could drive home.  The officer never came back, so after a while I went home.

Dispatch has my name and apparently my number, so I’m assuming if I need to do anything else, they’ll let me know.

When I got home I made myself go through the motions of my intended evening: shower and laundry at least, I didn’t have the heart for cello. I did pour my bourbon and sat on my stool by the kitchen window, watching the night for an hour. I didn’t slept well that night. My eyes kept popping open because I kept seeing, in my mind’s eye, the man I made contact with as he left the scene. Part of me was a little afraid, that he would recognize me or one day I will run into him on the street and he will remember me. The bigger part of me wonders what kind of superhero I would have been, and what would I have done:  Storm, Rogue, Wonder Woman?  What power would I have needed?

But I’m not a superhero. I’m only human. I’m acutely aware that humanity is far from perfect. We can be ugly. We can be cruel and hurtful to both strangers and to the ones we love. I suppose that’s just the way we are. At a time like this, I have to remind myself that we can be kind, generous, full of love, unselfish, and that it’s important, in the face of one not to forget other. Because it’s true that if you lose sight of the good than the other wins. In a way, I think that’s what the world’s superheroes allow us to do by taking that stands we cannot and by wading into the fray to make the world a better place, one street corner at a time.

Be well,

Eds

LJ – WP crosspost test

March 7th, 2010  / Author: Eddi

At Neile’s suggetion, I’ve been exploring options to have my site blog (WP) posts crossposted on LJ. I’m experimenting this weekend with the LJXP plugin, but any other suggestions on plugins that might do the trick are welcome!

Potlatch 19: A convention for writers

February 20th, 2010  / Author: Eddi

Woohoo! Yours truly just got invited to participate in a panel at the Potlatch writer’s convention. The convention is a writer oriented gathering of speculative fiction folks held here in Seattle every year.  Proceeds from the convention and the benefit auction will go to Clarion West Writer’s Workshop. CW is the reason I came to Seattle, so I’m happy to be participating in an event that will raise awareness, and funds, for such a great cause.

I’ll be on the Friday evening panel,  ”Writing the Other,” which is bascially about writing outside of your own personal identifiers.  I’m delighted to be on a panel with the likes of such outstanding writers Ellen Klages and David D. Levine, and the panel will be lead and moderated by the always amazing Nisi Shawl.  Frankly, I’m still a little starstuck to be included in this grouping. After all, Nisi literally wrote the book (or at least the course) on the topic.

How cool is that!

Nope, still not it

February 10th, 2010  / Author: Eddi

The bridge Cecelio sent is the SAME SIZE as the existing bridge.

Playing the A Major scale sucks so much right now, Kaia has switched to D major – which only has slight buzzing on the C string in the extended position.  Took cello to another local string shop for a second opinion and the most condescending man I’ve ever met told me I’m pretty much screwed because I have a “cheap, Chinese cello.”

Insert eye rolling here. This cheap Chinese cello fired up my love for playing. No it’s not going to play Benaroya Hall, but it’s mine and it will take me as far as I need to go until I am ready for a more expensive model. Stuff a sock in it you old windbag.

Waiting to hear back from Cecelio. In the meantime I’m working on Schroder #6 (aka C Major Insanity) which I love and O Come Little Children, which I am seriously ambivalent about.

Bridging the gap

February 3rd, 2010  / Author: Eddi

Turns out Cecelia has the wrong bridge. After about a week of exchanging emails with Cecelio they determined that my cello has a 3/4 size cello bridge instead of a full sized one.

The new one is on it’s way.